Creating Noro

December 12, 2011 in Inspiration, Noro

Noro is a beautiful yarn line from Japan, which KFI is proud to distribute to American knitters and crocheters.

The yarns in the Noro line range from soft to rustic and textures in between. Fibers including wool, kid mohair, silk, cotton, and angora are all used in varying proportions to create the different yarns.

But what Noro is really known for is its colors. Fabulous colors from muted earth tones to bright rainbows are combined in a stunning mix that surprises and delights.

Many people consider Noro yarns to be on the level of art and, like art, they elicit passionate responses both for and against.

Of course, I fall into the Noro Yarn Love camp. :-)

Our relationship has developed slowly, but the more I learn the deeper my love becomes. I first encountered Noro Yarns when I was working in a local yarn store. The unique colors and interesting textures stood out on the shelves and caught my eye.

Creating colors

Creating the famous Noro colors is a hands on process.

Since working for KFI, I’ve found out more about the way Noro Yarns are produced and it has made me appreciate the artistic qualities of these yarns more. The PDF “The Manufacturing of Noro From Farm to Product” (which you can download here) is a fascinating look at their process. Sometimes understanding more about a product can change your perspective on it.

Hands-On

The report explains Eisaku Noro, the line’s founder, takes steps to ensure “all manufacturing processes are checked to eliminate any adverse effects on the environment and on people.”

In an industrialized world, Noro takes a hands-on approach to yarn manufacturing. “Nowadays, almost all spinning process is done by machine, but at NORO Yarn, machines are used only when the process cannot be done by hand. First of all, we spin wool by hand and then knit them by hand and check its knitted texture,” he writes in his introduction to the report.

Isn’t that great? Hand-spun yarn! The Noro staff also frequently hand-card the fibers when aligning the colors for spinning. It’s a labor intensive process, but they prefer it because it is gentle on the fibers.

Saying that yarn binds us all together may sound trite, but as yarn is gliding through my fingers as I knit I do sometimes ponder the many people who have touched it before me. Knitting and crocheting are not solitary practices.

Sourced With Care

When we stop to think of the effort that went into bringing us yarn we can’t help but take a global perspective. Some stitchers are very interested in knowing where their yarn came from and the conditions in which is was produced. Other just enjoy the finished product and don’t need a back story. The internet (and websites like Ravelry) can help us find out.

As I learned while reading the report, Noro sources fibers from all over the world, from England to Australia and South Africa to Peru. The Pima cotton they use is produced in San Joaquin County, California. Practically our own backyard!

“We ourselves visit the places of origin for some of the raw materials and closely examine the farms and their environment,” the report says. As evidenced by this picture of Eisaku Noro sitting among the South African goats that produce the kid mohair used in his yarns.

Noro and goats

Eisaku Noro meets with his kid mohair producers.

Environmentally friendly detergents are used to scour the wool and in many cases the animals are raised in an area free from agricultural chemicals. Recycling and energy conservation are also priorities at their facility in Japan. It’s always nice to see a company producing a quality product while being responsible stewards of the environment.

“With Warm Hearts”

But in everything I read in the report, the line that really resonated with me was, “We consider that to be truly handmade is to make yarns not only by hand but also with warm hearts, thinking of our customers who use our yarns.”

This attitude is very similar to my own thoughts on my crafting. Like most people, I do a lot of my knitting and crocheting while watching TV or at my knitting group. It’s a secondary activity and my hands are often moving on their own. But when I’m making a gift for someone I always try to take some time to think about them, as though my happy thoughts will seep into the project I’m making and be released when my loved ones uses it.

Who knows? Maybe they do.

And maybe the care and energy Eisaku Noro and his staff put into making the yarns we enjoy gives them a vibrancy we can’t detect with just our eyes and hands.

Creating colors

Noro colors are known for their vibrancy.

If you love Noro yarns, there are plenty of places online for you to chat with like minded people. You can share pictures of projects you made using Noro yarns with us on our Facebook pages for Noro or Knitting Fever. On Ravelry the Nuts For Noro Group is very active.

If you are just learning about Noro you can test the waters using this free pattern for a Teddy Bear designed by Debbie Bliss. (The Bunny Pattern will be released at a future date.) It takes just one skein of Noro Kureyon, a 100% wool yarn.

Teddy Bears not your style? Then check out the free pattern for the Cowslip hat and scarf designed by Jane Ellison (look for the “download pattern” link under the big picture on the left). They are knit using Noro Silk Garden, a 45% Silk, 45% Mohair, 10% Lambswool blend.

Now that you know more about Noro Yarns go ahead and succumb to the colors.

Magazine Round Up Fall/Winter 2011

October 12, 2011 in Debbie Bliss, Inspiration, Louisa Harding, Queensland Collection

Nothing is quite as inspiring as a visit to your local yarn store where you can see and feel all the beautiful yarns in person. That will definitely get your creative juices flowing with the desire to start a new project.

Blue Thistle Shawl

Blue Thistle Shawl Interweave Knits Gifts. Photo by Joe Coca.

If all the beautiful yarn leaves you dizzy you can bring some order to your thoughts by cracking open a current issue of one of the fabulous knit or crochet magazines available in print or online.

Nothing beats flipping through a magazine at your local yarn store and being able to leave with everything you need to start a project. Unless, of course, you’re a subscriber then you get to relax at home with your new issue as you plot your next shopping trip.

Our yarns are featured in five current issues, as well as the Fall/Winter 2011 issue of Debbie Bliss Magazine (of course).

Debbie Bliss Magazine

Debbie Bliss mag cover

Fall/Winter 2011

The new issue features patterns by Debbie and other designers for both adults and children, as well as some home decor items.

The cover scarf is knit in her new yarn Riva, a chunky 70% Wool, 30% Acrylic blend that comes in 12 variegated colors.

Angel caplet

Lace Capelet knit in Angel

This adorable Lace Capelet was designed by Brooke Nico and is sure to delight the little miss in your life. It’s knit in Angel, a 76% Super Kid Mohair, 24% Silk blend that has six new colors this season.

Vogue Knitting Fall 2011

Nordic Cardigan

Photo by Paul Amato

This stunning Nordic Cardigan is designed by Shiri Mor.  It is knit in Debbie Bliss Cashmerino Aran and Angel. One of Debbie’s signature yarns, Cashmerino Aran  is a 55% Merino Wool, 33% Microfiber, 12% Cashmere blend that added six new colors this season.

The Nordic Cardigan comes in sizes X Small/Small (Medium) and requires 9 (11) balls of Cashmerino Aran in #28 charcoal; 3 (4) balls of Angel in #6 ecru. You can see additional pictures on  VK 360.

Knit Simple Holiday 2011

Boy's Layette set

Photo by Paul Amato

 

Designer Renee Lorion used Debbie Bliss Baby Cashmerino to create this cute layette set. Like Cashmerino Aran, the lighter baby version is a 55% Merino, Wool, 33% Microfiber, 12% Cashmere blend that added six new colors this season.
The layette set has sizes for Newborn-3 months, 6-9 months, 12-18 months. Yarn requirements are:
  • Pants amounts: 3 (3,5) skeins in #40 celadon
  • Cardigan amounts: 3 (3,4) skeins in #40 celadon
  • Blanket amounts: 5 skeins in #40 celadon
You can see additional pictures on KnitSimple Up Close.

Interweave Knits

The Holiday Gifts 2011 issue features two projects.

The pretty blue shawl at the top of the post is the Blue Thistle Shawl by Susanna IC. It takes 6 skeins of Queensland Collection Kathmandu Aran, a 85% Merino Wool, 10% Silk, 5% Cashmere blend. The shawl in the magazine used color #172 ocean blue, but there are 30 colors from which to select, including six new ones.

Northwoods Coasters

Photo by Brad Bartholomew

The Northwoods Coasters were designed by Robin Ulrich using Debbie Bliss Donegal Aran Tweed in colors: #281103 (A; brown), #281114 (B; moss), #281104 (C; beige), #281101 (D; black), #281109 (E; blue), and #281102 (F; gray), 1 skein each.

They would be quick to make for yourself or as a gift.

The Knitscene Winter 2011 issue comes out at the end of October.

Tereza Pullover

Photo by Brad Bartholomew

It includes the lovely Tereza Pullover by Melissa LaBarre. This sweater is knit in Louisa Harding Millais, #03 crumble (raspberry heather), 9 (10, 11, 12, 13) balls. Millais is a 50% Wool, 50% Acrylic blend that comes in 11 colors, of which four are new for this season.

You can see additional photos on the Knitscene website.

Curling up with a good knitting magazine is almost as fun as curling up with your knitting! When it’s time to give your hands a rest by taking a break from your knitting why not flip through an issue?

Louisa Harding Fall/Winter 2011

September 14, 2011 in Inspiration, Louisa Harding, Louisa Harding

Absinthe book cover

The Absinthe book features 15 patterns.

Renaissance, meaning ‘rebirth’ symbolized an aesthetic revolution in the cultural development of Art and Literature during the 14th – 17th Centuries in Europe. The story of the Renaissance began in Florence, Italy and where my inspiration for this seasons yarn and pattern collections began to unravel.

I view this season as a small Renaissance of the Louisa Harding collection. The yarn range has been refined, with extremely exciting developments in the addition of new yarns, the pattern collections more focused, inspired visually by images from the ‘Renaissance’ and also by the ethics of a clear perspective.

This season I am introducing three new yarns, Nerissa, an opulent cotton chenille, Simonetta, an antiqued Kid Mohair with a metallic haze randomly entwined throughout and Grace Hand Beaded. Also included in the yarn collection are updated shades in Millais, Thistle, and Willow Tweed, which are showcased in LHB113 – Absinthe, a publication of fifteen projects for accessories and garments.

The story behind the introduction of my three new yarns is unraveled below:

Nerissa – Cotton Chenille

I have always loved working with textured yarns and since introducing my yarn collection I have looked to source a yarn that when knitted would produce a beautiful velvety texture. Woven in Northern Italy, velvet fabrics became very popular during the Renaissance, worn by rich Merchants and their wives in Florence, Venice and Genoa. Named after a character from William Shakespeare’s ‘The Merchant of Venice’ (1596), Nerissa was a formidable young women and Portia (the heroine’s) closest companion. When I studied the paintings of Renaissance women and Shakespearian costumes I was drawn to the beautiful garments of woven velvet damask.

Hermione sweater

Hermione uses 9-12 balls of Nerissa

Going back to the roots of velvet and chenille production I have worked closely with an Italian manufacturer to produce my beautiful cotton chenille yarn. Chenille yarn like velvet is unique in its manufacture, short lengths of yarn, called the “pile”, are placed between two “core yarns” and then twisted tightly together. The edges of these piles then stand at right angles from the yarn’s core, giving chenille both its softness and its characteristic look. 15 projects using Nerissa are contained in a dedicated Louisa Harding publication, LHB115 – Nerissa.

Simonetta – Glitter Mohair

The cover portrait I used to present my yarn collection this season is of Simonetta Vespucci, painted around 1490, by Piero di Cosimo. To me, Simonetta personifies an antiqued elegance, but at the same time looks like a very modern woman with balletic grace, hers is the name I have given to the second of my new yarns, again, unique in its construction, look and feel. The yarn is constructed by entwining light Kid Mohair with a metallic haze, when knitted the light as air fabric gives the appearance of a metal covered in an antiqued patina.

I have designed 14 sophisticated garment and accessories projects using this distinctive yarn, LHB116 – Simonetta.

Grace Hand Beaded

Charm Fingerless Mitts

The Charm mitts use Grace Hand Beaded and Silk & Wool

Beading was also a very important embellishment used in the creation of Renaissance garments, adornments for hair and jewelry as seen in Simonetta’s portrait. Over my career as a knitwear designer I have enjoyed combining knitting with beading and have often thought about creating a beaded yarn. This season I have collaborated with skilled manufacturers to produce ‘Grace Hand Beaded’, the third of this season’s new yarns.

Using the base of ‘Grace’, 50% silk, 50% Merino, manufactured in Italy, I have worked with a specialist yarn embellishment producer in Turkey. Beads are hand threaded onto a fine yarn and then spun together with Grace to create this exclusive beaded yarn, with each hank being hand crafted and unique.

Taking my inspiration from Ruben’s painting of the ‘Three Graces’ (1500 -1505) I have used the three Louisa Harding Grace yarns, Grace, Grace Hand Dyed and Grace Hand Beaded combined in one design publication, the yarns working beautifully knitted in garments and accessories to enhance each other, LHB114 – Three Graces.

Debbie Bliss Winter 2010-11

December 14, 2010 in Debbie Bliss, Debbie Bliss, Inspiration

Winter has always been my favourite time of the year, I like my heat to come from roaring fires and hot chocolate, with the promise of my December birthday and Christmas just around the corner. I couldn’t have been more happy then to shoot three of my new books in the snow laden landscape of Poland, even though the temperatures were sometimes minus eleven!

Glen Book Cover

The Glen book features 12 designs.

Glen is a collection of 12 designs that features one of my new yarns.

Glen is quite a departure for me as I tend to stay with classic yarns, but I fell in love with it’s subtle shaded effect when I saw it at the Pitti Filatti trade show in Florence last year. To show off the beauty of the yarn I have kept to simple shapes with simple stitches and I have been able to create some generous coats and jackets because the knitted fabric is so soft and light.

 

Cabled Cape

This Cabled Cape is fit for a "Snow Queen."

Snow Queen was inspired by Narnia like landscapes,trees touched by frost and fairy tale forests. The six designs featured here are from my most luxurious yarns, Alpaca Silk, Como, and Fez, with an enveloping coat,a cabled dress, and softly draping jackets.

The eight designs in Folk Chic are all worked in my ever popular cashmerino range. From a pretty fair isle cardigan in baby cashmerino to a cabled coat in the Aran weight the knits show the versatility of the yarn with different skill levels to suit everyone.

 

Cable and Rib Yoke Top

Cable and Ribbed Yoke Top from "Andes"

Andes is my other new yarn for Autumn/Winter, and is a stunning blend of mulberry silk and baby alpaca. It drapes like a dream, but shows stitch detail up perfectly so I have designed simple jackets and wraps as well as cabled sweaters and tops. The colour palette is inspired by the wonderful textiles of Peru with the shades ranging from vivid brights such as ruby, purple, and gold to soft greens and duck egg blue.

For the Luxury Donegal Tweeds there is a booklet of country knits with a city sensibility so it includes jackets and coats with a sharp modern edge.

Hooded Aran Coat

"Little Red Riding Hood"

Looking through old patterns and posters from the 1940′s led to my Land Girl collection. Knitted in yarns from my Rialto range the designs have a retro feel with subtle shaping in a fitted jacket and a fair isle yoked sweater for the woman with a love of vintage style and a jaunty beret and shawl collared sweater for a child.

The A/W issue of the magazine includes a Home feature inspired by Scandinavian Style,a fashion feature with a homage to the tartans and fair isles of Scotland, and knits for the nursery. Plus all the regular features such as My Knitting Friend and Ask Rosy.

To keep up to date with my news log on to my Fan Facebook.

Jane Ellison Spring 2010 Update

May 19, 2010 in Araucania, Inspiration, Jane Ellison, Mirasol, Noro

For this Spring Summer I have designed Noro Kids, Araucania Summer Fruits, and five booklets for Mirasol. Which means this is the most books I have ever done in one season, seven!

Febrero sweater

Febrero from Book #9 knit in Hap'i

My Mirasol Books

This is because there has seen an exciting change in the Mirasol books. We have changed the format of the books from a big book to small booklets. The physical size of the books may be smaller but the content will be the same or even more exciting!

I love this idea and have enjoyed working with my layout designer to create a look that is fun. My first thought was to mirror the labels on the yarn with the size of the book and the cover is the same shade as the labels of that individual yarn.

Each of these books has its own feeling and theme, yet they still work together for the whole season and as always incorporates the unique Mirasol identity. So briefly there is Book 8, which uses Samp’a and is dedicated to children’s garments and accessories as I feel the Samp’a is perfect for kids. Book 9 is women sweaters using Hap’i and Book 10 is women cardigans using Nuna. For Book 11 and Book 12 I tried something different. I used the same pattern for the adult garment on the child’s garment. So for example in Book 11 garments and accessories for men and boys using Lachiwa there is a v neck sweater for the man and I used the same patterning but in different colours on the child’s tank top.

My Noro book, “Noro Kids”

Alex sweater

Alex from Noro Kids knit in Furin.

I have really enjoyed designing these children’s patterns. It’s been such fun to see what the yarns look like in little garments. Because the garments are smaller than an adult’s the resulting stripe is wider creating a different look. For this season the 4 yarns (Aya, Furin, Sekku and Shirakaba) that Noro introduced all had an initial base of cotton and silk that then has either wool, rayon, or nylon added to it to give the beautiful fibre mixes that make Noro so unique.

Most of the garments only take a couple of balls of yarn so it’s the perfect way to discover the joy of Noro Yarns or to try out a new quality. As always I design my patterns to be simple and straightforward to let the yarns shine.

I designed these garments primarily with new knitters in my mind, but also returning knitters who want a little garment to get started with, and finally for more experience knitters who would like a weekend project or need a gift in a hurry! Those like me, who know that the birthday is at the end of January so make plans at the beginning to get that present but feel they have plenty of time and then before they know it, it’s 4 days before the birthday and I have no present!

My third Araucania book, Araucania Summer Fruits

I was so excited to use Araucania new yarns this season, they spoilt me by introducing three gorgeous new yarns – Antu is 100% cotton, Chaiten is 100% silk and Trauco is 100% cashmere.

My inspiration behind these designs started with the beautiful yarns and then I dreamt of summer holidays in a small fishing village in Cornwall that’s been brought into the 21st century with a marina and lovely cafes to sit and watch the days go by. Hopefully these designs would look just as good in the city as they do on the beach!